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Adagio for Strings
Adams: Two Fanfares for Orchestra: I. Tromba Lontana
Adams: Two Fanfares for Orchestra: II. Short Ride in a Fast Machine
Beethoven: Fidelio, Op. 72, Act 1: "Abscheulicher! Wo eilst du hin?" (Leonore)
Beethoven: Fidelio, Op. 72, Act 1: "Gut, Söhnchen, gut, hab' immer Mut" (Rocco, Leonore, Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Beethoven: Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
Beethoven: Fidelio, Op. 72, Act 1: "Nur auf der Hut, dann geht es gut" (Rocco, Leonore, Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chor, Gefangener)
Beethoven: Fidelio, Op. 72, Act 1: "O wär' ich schon mit dir vereint" (Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: March
Beethoven: Fidelio, Op. 72, Act 2: "In des Lebens Frühlingstagen" (Florestan)
Beethoven: Fidelio, Op. 72, Act 2: "Wer ein holdes Weib errungen" (Chor, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Ro
Beethoven: Fidelio, Op. 72: Overture
Bernstein: Wonderful Town, Act 2: "Wrong Note Rag" (Ruth, Eileen, Villagers)
Bernstein: Wonderful Town, Act I: "A little bit in love" (Eileen)
Bernstein: Wonderful Town, Act I: "A quiet girl" (Robert Baker)
Bernstein: Wonderful Town, Act I: "Christopher Street" (Tour Guide, Villagers)
Bernstein: Wonderful Town, Act I: "Conga!" (Ruth, Brazilian Cadets)
Bernstein: Wonderful Town, Act I: "Ohio" (Ruth Sherwood, Eileen Sherwood)
Bernstein: Wonderful Town, Act I: "One hundred easy ways to lose a man" (Ruth)
Bernstein: Wonderful Town, Act I: "Pass the football" (Wreck, Villagers)
Bernstein: Wonderful Town, Act I: "What a waste" (Robert Baker, Associate Editors)
Bernstein: Wonderful Town, Act I: Conquering New York (Ruth, Eileen, First Cadet, Violet, Villagers)
Bernstein: Wonderful Town, Act I: Conversation piece (Ruth, Eileen, Frank Lippencott, Robert Baker and Chick Clark)
Bernstein: Wonderful Town, Act I: Overture
Bernstein: Wonderful Town, Act II: "It's love" (Eileen, Robert Baker, Villagers)
Bernstein: Wonderful Town, Act II: "My darlin' Eileen" (Cops, Eileen)
Bernstein: Wonderful Town, Act II: "Ohio" Reprise (Eileen, Ruth)
Bernstein: Wonderful Town, Act II: "Swing!" (Villagers, Ruth)
Bernstein: Wonderful Town, Act II: Ballet at the Village Vortex
Bernstein: Wonderful Town, Act II: Entr'acte
Bernstein: Wonderful Town, Act II: Finale. "It's love" Reprise (All)
Bernstein: Wonderful Town, Act II: Quiet Incidental (Eileen, Ruth)
Bolero
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen
Brahms: Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch es ist wie Gras
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich
Brahms: Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit
Brahms: Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt
Brahms: Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": I. Cakes and Ale
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": II. The Bitter Withy
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": III. Hankin Booby
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": IV. Hunt the Squirrel
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": V. Lord Melbourne
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (1884 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante, quasi allegretto (1884 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1884 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (1884 Version)
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 1a. Introduzione. Grave - Adagio
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 1b. Recitativo. "Jehova, du mein Vater!"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 1c. Aria. "Meine Seele ist erschüttert"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 2a. Recitativo. "Erzittre, Erde!"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 2b. Aria. "Preist des Erlösers Güte"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 2c. Chor der Engel. "O Heil euch ihr Erlösten"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 3a. Recitativo. "Verkündet, Seraph, mir dein Mund"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 3b. Duetto. "So ruhe dann mit ganzer Schwere"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 4a. Recitativo. "Willkommen, Tod!"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 4b. Chor der Krieger. "Wir haben ihn gesehen"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 5a. Recitativo. "Die mich zu fangen ausgezogen sind"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 5b. Chor der Krieger, Chor der Jünger. "Hier ist er, der Verbannt
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6a. Recitativo. "Nicht ungestraft soll der Verwegnen Schar"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6b. Terzetto. "In meinen Adern wühlen unbändig Zorn und Wut"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6c. Chor der Krieger, Chor der Jünger. "Auf, auf! Ergreifet den V
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6d. Chor der Engel. "Welten singen Lob und Ehre"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6e. Chor der Engel. "Preiset ihn, ihr Engelschöre"
Concerto for Violin: II. Andante
Concerto Grosso In B Minor: Aria
Concerto Grosso: Allegro
Debussy / Orch. Caplet: La boîte à joujoux, CD 136, L. 128: I. Prélude. Le Sommeil de la boîte
Debussy / Orch. Caplet: La boîte à joujoux, CD 136, L. 128: II. Le Magasin de jouets
Debussy / Orch. Caplet: La boîte à joujoux, CD 136, L. 128: III. Le Champ de bataille
Debussy / Orch. Caplet: La boîte à joujoux, CD 136, L. 128: IV. La Bergerie à vendre
Debussy / Orch. Caplet: La boîte à joujoux, CD 136, L. 128: V. Après fortune faite & VI. Épilogue
Debussy / Orch. Matthews: Préludes, Livre I, CD 125, L. 117: No. 7, Ce qu'a vu le vent d'ouest
Debussy / Orch. Matthews: Préludes, Livre II, CD 131, L. 123: No. 12, Feux d'artifice
Debussy / Orch. Matthews: Préludes, Livre II, CD 131, L. 123: No. 2, Feuilles mortes
Debussy: La Mer, CD 111, L. 109: I. De l'aube à midi sur la mer
Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues
Debussy: La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer
Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86
Ebony Concerto: I. Allegro moderato
Ebony Concerto: II. Andante
Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo - Same tempo
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 4 in G Major
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "I Can No More" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Jesu, Maria, I Am Near to Death" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Lord, Thy Servant Deliver" - "Sanctus fortis, Santus Deus" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Rescue Him, O Lord" (Chorus, Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Rouse Thee, My Fainting Soul" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: Prelude
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Another Marvel" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "But Hark! A Grand Mysterious Harmony" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "But hark! Upon My Senses" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Dispossessed, Aside Thrust" (Chorus)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "I See Not Those False Spirits" (Soul, Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "I Went to Sleep" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "It Is a Member of That Family" (Soul, Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Jesu! By That Shuddering Dread" (Angel of the Agony)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Praise to His Name!" (Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Softly and Gently" (Angel, Chorus)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "There Was a Mortal" (Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Thy Judgment Now Is Near" (Angel, Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: Andantino
Gershwin / Orch Grofé: Rhapsody in Blue (Original Orchestration)
Greensleeves
Holberg Suite: Prelude
Liebesfreud
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio - III. Allegretto vivace
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato
Lost Love
Lullaby
Mahler: Das klagende Lied: I. Waldmärchen
Mahler: Das klagende Lied: II. Der Spielmann
Mahler: Das klagende Lied: III. Hochzeitsstück
Mahler: Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
Mahler: Das Lied von der Erde: II. Der Einsame im Herbst
Mahler: Das Lied von der Erde: III. Von der Jugend
Mahler: Das Lied von der Erde: IV. Von der Schönheit
Mahler: Das Lied von der Erde: V. Der Trunkene im Frühling
Mahler: Das Lied von der Erde: VI. Der Abschied
Mahler: Des Knaben Wunderhorn: No. 1, Der Schildwache Nachtlied
Mahler: Des Knaben Wunderhorn: No. 11, Revelge
Mahler: Des Knaben Wunderhorn: No. 12, Der Tamboursg'sell
Mahler: Des Knaben Wunderhorn: No. 2, Verlor'ne Müh'
Mahler: Des Knaben Wunderhorn: No. 4, Wer hat dies Liedlein erdacht?
Mahler: Des Knaben Wunderhorn: No. 6, Des Antonius von Padua Fischpredigt
Mahler: Des Knaben Wunderhorn: No. 9, Wo die schönen Trompeten blasen
Mahler: Lieder und Gesänge, Heft III: No. 2, Ablösung im Sommer (Orchestral Version)
Mahler: Symphony No. 10 in F-Sharp Major: I. Adagio (1972 Cooke Version)
Mahler: Symphony No. 10 in F-Sharp Major: II. Scherzo I (1972 Cooke Version)
Mahler: Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato (1972 Cooke Version)
Mahler: Symphony No. 10 in F-Sharp Major: IV. Scherzo II (1972 Cooke Version)
Mahler: Symphony No. 10 in F-Sharp Major: V. Finale (1972 Cooke Version)
Mahler: Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen
Mahler: Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung
Mahler: Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (a) Im Tempo des Scherzos. Wild herausfahrend
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (b) Wieder sehr breit
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (c) Molto ritenuto - Maestoso
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (e) Langsam. Misterioso. "Aufersteh'n, ja aufersteh'n wirst du"
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !"
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !"
Mahler: Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
Mahler: Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast
Mahler: Symphony No. 4 in G Major: III. Ruhevoll
Mahler: Symphony No. 4 in G Major: IV. Sehr behaglich
Nazareno: I. Berimbau (Arr. Gonzalo Grau)
Nazareno: II. Tambor en blanco y negro (Arr. Gonzalo Grau)
Nazareno: III. Guaracha y Mambo (Arr. Gonzalo Grau)
Nazareno: IV. Sur (Arr. Gonzalo Grau)
Nazareno: V. Tormenta y Quitiplá (Arr. Gonzalo Grau)
Nazareno: VI. Procesión (Arr. Gonzalo Grau)
Notturno for Strings
Orchestral Suite No. 2 In B Minor, BWV 1067: VI. Sarabande
Petruskha, K012 (Revised 1947), Scene 1: I. The Shrovetide Fair (Introduction)
Petruskha, K012 (Revised 1947), Scene 1: II. The Crowds
Petruskha, K012 (Revised 1947), Scene 1: III. The Conjuring Trick
Petruskha, K012 (Revised 1947), Scene 1: IV. Russian Dance
Petruskha, K012 (Revised 1947), Scene 2: I. Petrushka's Cell
Petruskha, K012 (Revised 1947), Scene 3: I. The Moor's Cell
Petruskha, K012 (Revised 1947), Scene 3: II. Dance of the Ballerina
Petruskha, K012 (Revised 1947), Scene 3: III. Waltz (The Ballerina and the Moor)
Petruskha, K012 (Revised 1947), Scene 4: I. The Shrovetide Fair (towards evening)
Petruskha, K012 (Revised 1947), Scene 4: II. Dance of the Wet-Nurses
Petruskha, K012 (Revised 1947), Scene 4: III. A Peasant Enters with a Bear
Petruskha, K012 (Revised 1947), Scene 4: IV. The Gypsy Girls Dance
Petruskha, K012 (Revised 1947), Scene 4: V. Dance of the Coachmen and Grooms
Petruskha, K012 (Revised 1947), Scene 4: VI. The Mummers (Masqueraders)
Petruskha, K012 (Revised 1947), Scene 4: VII. Death of Petrushka
Piano Sonata In C-Sharp, Op. 27, No. 2 "Moonlight Sonata": II. Adagio
Prelude, Fugue and Riffs: I. Prelude for the Brass
Prelude, Fugue and Riffs: II. Fugue for the Saxes
Prelude, Fugue and Riffs: III. Riffs for Everyone
Rapsodie Espagnole
Ravel / Arr. Grainger: Miroirs, M. 43: V. La vallée des cloches
Ravel: Boléro, M. 81
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse de Lycéion
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse générale
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse grotesque de Dorcon
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse légére et gracieuse de Daphnis
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Introduction et Danse religieuse
Ravel: Daphnis et Chloé, M. 57, Pt. 1: L'on perçoit des bruits d'armes
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Nocturne - Danse lente et mystérieuse des Nymphes
Ravel: Daphnis et Chloé, M. 57, Pt. 2: Bryaxis veut l'entraîner
Ravel: Daphnis et Chloé, M. 57, Pt. 2: Danse suppliante de Chloé
Ravel: Daphnis et Chloé, M. 57, Pt. 2: Introduction - Danse guerrière
Ravel: Daphnis et Chloé, M. 57, Pt. 3: Danse générale
Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour
Ravel: Daphnis et Chloé, M. 57, Pt. 3: Pantomime. Les amours de Pan et Syrinx
Ravel: Fanfare pour "L'éventail de Jeanne", M. 80
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Ah ! C'est elle ! C'est elle !" - "Toi, le c?ur de la rose" (L'Enfant, La Pr
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Deux robinets coulent dans un réservoir !" - Duo miaulé (Le Petit Vieillard,
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "How's your mug?" - "Arrière ! Je réchauffe les bons" - "Adieu, pastourelles
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "J'ai pas envie de faire ma page" - "Bébé a été sage ?" - "Ça m'est égal !" (
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Votre serviteur humble, Bergère" - "Ding, ding, ding, ding" (Le Fauteuil, La
Ravel: L'enfant et les sortilèges, M. 71, Tableau II: "Ah ! C'est l'enfant au couteau !" - "Il est bon, l'enfant, il est sage" (Le
Ravel: L'enfant et les sortilèges, M. 71, Tableau II: "Sauve-toi, sotte ! Et la cage ? La cage ?" (L'Écureuil, La Rainette, L'Enfa
Ravel: L'enfant et les sortilèges, M. 71, Tableau II: Musique d'insectes - "Ah ! Quelle joie de te retrouver, jardin !" - Ronde de
Ravel: La valse, M. 72
Ravel: Ma mère l'Oye, M. 62: I. Prélude
Ravel: Ma mère l'Oye, M. 62: II. Danse du rouet et Scène
Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant
Ravel: Ma mère l'Oye, M. 62: IV. Interlude - Les entretiens de la Belle et la Bête
Ravel: Ma mère l'Oye, M. 62: V. Interlude - Petit Poucet
Ravel: Ma mère l'Oye, M. 62: VI. Interlude - Laideronette, impératrice des Pagodes
Ravel: Ma mère l'Oye, M. 62: VII. Interlude - Apothéose - Le jardin féerique
Ravel: Miroirs, M. 43: IV. Alborada del Gracioso
Ravel: Shéhérazade, M. 41: I. Asie
Ravel: Shéhérazade, M. 41: II. La flûte enchantée
Ravel: Shéhérazade, M. 41: III. L'indifférent
Reignen Seliger
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto
Sarabande
Schoenberg: Gurre-Lieder, Melodram: "Herr Gänsefuss, Frau Gänsekraut" (Sprecher)
Schoenberg: Gurre-Lieder, Melodram: "Seht die Sonne farbenfroh am Himmelssaum" (Chorus)
Schoenberg: Gurre-Lieder, Melodram: Vorspiel. Des Sommerwindes wilde Jagd
Schoenberg: Gurre-Lieder, Pt. 1: "Du sendest mir einen Liebesblick" (Tove)
Schoenberg: Gurre-Lieder, Pt. 1: "Du wunderliche Tove!" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 1: "Es ist Mitternachtszeit" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 1: "Nun dämfpt die Dämmerung" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 1: "Nun sag ich dir zum ersten mal" (Tove)
Schoenberg: Gurre-Lieder, Pt. 1: "O, wenn des Mondes Strahlen" (Tove)
Schoenberg: Gurre-Lieder, Pt. 1: "Ross! Mein Ross!" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 1: "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 1: "Sterne jubeln" (Tove)
Schoenberg: Gurre-Lieder, Pt. 1: "Tauben von Gurre" (Waldtaube)
Schoenberg: Gurre-Lieder, Pt. 1: Introduktion (Mässig bewegt)
Schoenberg: Gurre-Lieder, Pt. 1: Zwischenspiel (Nach und nach bewegter - Breiter)
Schoenberg: Gurre-Lieder, Pt. 2: "Herrgott, weisst du, was du tatest" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 3: "'Ein seltsamer Vogel ist so'n Aal'" (Klaus-Narr)
Schoenberg: Gurre-Lieder, Pt. 3: "Deckel des Sarges klappert und klappt" (Bauer, Chorus)
Schoenberg: Gurre-Lieder, Pt. 3: "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen)
Schoenberg: Gurre-Lieder, Pt. 3: "Du strenger Richter droben" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 3: "Erwacht, König Waldemars Mannen wert!" (Waldemar)
Schoenberg: Gurre-Lieder, Pt. 3: "Gegrüsst, o König" (Waldemars Mannen)
Schoenberg: Gurre-Lieder, Pt. 3: "Mit Toves stimme flüstert der Wald" (Waldemar)
Serenade for Strings: Moderato
Serenade for Strings: Valse
Sibelius: Symphony No. 2 in D Major, Op. 43: I. Allegretto
Sibelius: Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato
Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo
Sibelius: Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto
Sibelius: Violin Concerto in D Minor, Op. 47: I. Allegro moderato
Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": I. Fanfare. Allegretto - Allegro - Maestoso
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": II. The Castle, Brno. Andante - Allegretto - Maestoso - Tempo I - Allegretto
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": III. The Queen's Monastery, Brno. Moderato - Con moto - Tempo I - Prestissimo - M
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": IV. The Street Leading to the Castle. Allegretto - Adagio - Presto - Andante - Pr
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": V. The Town Hall, Brno. Andante con moto - Maestoso - Tempo I - Allegretto - Alle
Sonata No. 4: Allegro
Sonata No. 7: Adagio
Stravinsky: 4 Études pour orchestre: No. 1, Danse. Con moto (1952 Version)
Stravinsky: 4 Études pour orchestre: No. 2, Excentique. Moderato (1952 Version)
Stravinsky: 4 Études pour orchestre: No. 3, Cantique. Largo (1952 Version)
Stravinsky: 4 Études pour orchestre: No. 4, Madrid. Allegro con moto (1952 Version)
Stravinsky: Suite No. 1 for Chamber Orchestra: I. Andante
Stravinsky: Suite No. 1 for Chamber Orchestra: II. Napolitana
Stravinsky: Suite No. 1 for Chamber Orchestra: III. Española
Stravinsky: Suite No. 1 for Chamber Orchestra: IV. Balalaïka
Stravinsky: Suite No. 2 for Chamber Orchestra: I. Marche
Stravinsky: Suite No. 2 for Chamber Orchestra: II. Valse
Stravinsky: Suite No. 2 for Chamber Orchestra: III. Polka
Stravinsky: Suite No. 2 for Chamber Orchestra: IV. Galop
Stravinsky: Symphonies of Wind Instruments
Stravinsky: Symphony in C: I. Moderato alla breve
Stravinsky: Symphony in C: II. Larghetto concertante
Stravinsky: Symphony in C: III. Allegretto
Stravinsky: Symphony in C: IV. Largo - Tempo giusto alla breve
Stravinsky: Symphony in Three Movements: I. Overture. Allegro
Stravinsky: Symphony in Three Movements: II. Andante - Interlude
Stravinsky: Symphony in Three Movements: III. Con moto
Symphony Espagnole, Op. 21: III. Allegro
Symphony No. 2 In D Major, Op. 36: III. Allegro
Symphony No. 2 In D Major, Op. 73: IV. Allegro
Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante
Symphony No. 38, K. 504: IV. Presto
Symphony No. 4 "Romantic" (Cohrs A04B): Andante quasi Allegretto (1878, extended initial version)
Symphony No. 4 "Romantic" (Cohrs A04B): Finale (Volksfest). Allegro moderato (1878, Cohrs A04B-2)
Symphony No. 4 "Romantic" (Cohrs A04B): Finale. Bewegt, doch nicht zu schnell (1881, unabridged)
Symphony No. 4 "Romantic" (Cohrs A04B): Scherzo. Sehr schnell - Trio. Im gleichen Tempo - Scherzo da capo (1874, rev. 1876, Cohrs
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): I. Bewegt, nicht zu schnell (1881)
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): II. Andante quasi Allegretto (1881)
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - S
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): IV. Finale. Bewegt, doch nicht zu schnell (1881, abridged)
Symphony No. 4 In C Minor, D. 417: III. Minuetto. Allegro Vivace -Trio
Symphony No. 6 "Le Matin": IV. Finale
Symphony No. 6 In B Minor, Op. 74: III. Allegro Molto Vivace
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Interlude (Prom?na)
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Interlude (Svitáni)
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Prelude
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene I, Dostaneme bó?ku
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene I, Kmot?enko, zakoncertovala si také
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene I, Mami!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene I, Pantomime
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene II, ?e neví?, co máme?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene II, M?las d?lat podlivám?!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene II, Pantomime
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene II, To ?u?i?, Lapáku!?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act I: Scene II, Zbab?l?e, podivé se, jeli u? mrtvá?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Act II: Interlude (Prom?na) [2]
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Act II: Interlude (Prom?na) [3]
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Act II: Interlude (Prom?na) [4]
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Prelude [2]
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene III, Ach!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene IV, Ano, ve Stráni bude daleko lépe!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene IV, Bývalo, bývalo, dávno u? neni
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene IV, Dom?? Pro ten ??upec tvýho spaní?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene V, Bud'to mám t??i?t? pohyblivé
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene V, Memnesthó anér agathos einai
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene V, Pomni, abys byl dobrým mu?em!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene VI, Bó?inku, ten je hezké!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene VI, Jsemli opravdu tak krásná?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene VI, Kdy? je to tak
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene VI, Kdybyste v?d?li, co já vid?la
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene VI, Kradla jsem!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene VI, Pus?te m?!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act II: Scene VI, Zlatoh?bítek, li?ák s krou?kovými pesíky, z Hluboké
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Act III: Interlude (Prom?na) [5]
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Act III: Interlude (Prom?na) [6]
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Prelude [3]
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene IX, A p?ece su rád
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene IX, Hoj! Ale není tu Bystrou?ky!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene IX, Ne?íkal jsem to?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene IX, Totok nésu já
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene VII, B??i li?ka k Táboru
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene VII, De? sem vandroval
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene VII, Kolik jsme to m?li d?ti!?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene VII, N??o d?le!
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene VII, To? co, Hara?to, má? se dob?e?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene VIII, A kde otec Pásek?
The Cunning Little Vixen (P?íhody li?ky Bystrou?ky), JW I/9, Act III: Scene VIII, Do hroma!
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Come on, old lady, and let's get the show started (Cricket, Catepillar
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Going to be a storm soon (Forester)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: I'm just the same too (Vixen)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (beginning) "Ou, ou!" (Vixen)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (conclusion)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look what we've got down 'ere (Pepik, Frantik, Vixen, Forester's Wife,
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Mummy! Mummy! What is that? (Vixen Cub, Forester)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Pantomime
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Prelude
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen,
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster)
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: You should take a lesson from me! (Dog, Rooster, Hens, Chief Hen)
The Cunning Little Vixen, Act I. Sharp-Ears at the Forester's lakeside farmyard: Interlude
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home : Interlude II
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest Cre
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Home now? (Forester, Pásek)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Foreste
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Interlude
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pásek
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Prelude
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Something is wrong with my equilibrium (Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Staccato! Flageoletti! (Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Can it be that I am lovely? (Vixen, Fox)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Fox Goldenstripe (Fox, Vixen)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: If you had only seen what I saw just now
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Interlude
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Let me go! I am afraid of you! (Vixen, F
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: O my God! He's so handsome! (Vixen, Fox)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: One dark night (Vixen)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: That's how it is! (Fox, Vixen, Woodpecke
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: Hey there, Hara?ta, how's it going? (
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, V
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: In the month of May (Hara?ta)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: Interlude
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: Little foxes running fast (Fox Cubs,
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: Prelude
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: Put it down fast! Hara?ta, Hara?ta! (
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: Well I'm damned! (Forester, Innkeeper
The Cunning Little Vixen, Act III. Sharp-Ears outwits Hara?ta from Lisen; Sharp-Ears' death: Where is old man Pásek? (Forester, In
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Hey! But I can't see the Vixen there!
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Interlude
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Spring is here at last (Forester)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Tha-that wasn't me (Frog)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: When evening arrives, I welcome the r
The Firebird, K010: I. Introduction
The Firebird, K010: II. Premier tableau. Le jardin enchanté de Kastchei
The Firebird, K010: III. Apparition de l'oiseau de feu poursuivi par Ivan Tsarévitch
The Firebird, K010: IV. Danse de l'oiseau de feu
The Firebird, K010: IX. Danse infernale de tous les sujets de Kastchei
The Firebird, K010: V. Capture de l'oiseau de feu par Ivan Tsarévitch - Supplications de l'oiseau de feu - Apparition des treize p
The Firebird, K010: VI. Jeu des princesses avec les pommes d'or
The Firebird, K010: VII. Brusque apparition d'Ivan Tsarévitch - Corovod (Ronde) des princesses - Lever du jour
The Firebird, K010: VIII. Ivan Tsarévitch pénètre dans le palais de Kastchei - Carillon féérique - Arrivée de Kastchei - Dialogue
The Firebird, K010: X. Berceuse (L'oiseau de feu) - Réveil de Kastchei - Mort de Kastchei - Profondes ténèbres
The Firebird, K010: XI. Second tableau. Disparition du palais et des sortilèges de Kastchei, animation des chevaliers pétrifiés. A
The Nutcracker, Op. 71, Act I: Arrival of Drosselmeyer
The Nutcracker, Op. 71, Act I: Clara and the Nutcracker
The Nutcracker, Op. 71, Act I: Grandfather's Dance
The Nutcracker, Op. 71, Act II: Clara and the Prince
The Nutcracker, Op. 71, Act II: Divertissement, Mother Gigogne
The Nutcracker, Op. 71, Act II: The Kingdom of Sweets
The Rite of Spring, K015 (Revised 1947), Part 1: Adoration of the Earth. Introduction
The Rite of Spring, K015 (Revised 1947), Part 1: Dance of the Earth
The Rite of Spring, K015 (Revised 1947), Part 1: Procession of the Sage - The Sage
The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction
The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of the Rival Tribes
The Rite of Spring, K015 (Revised 1947), Part 1: Spring Rounds
The Rite of Spring, K015 (Revised 1947), Part 1: The Augurs of Spring - Dances of the Young Girls
The Rite of Spring, K015 (Revised 1947), Part 2: Evocation of the Ancestors
The Rite of Spring, K015 (Revised 1947), Part 2: Glorification of the Chosen One
The Rite of Spring, K015 (Revised 1947), Part 2: Mystic Circles of the Young Girls
The Rite of Spring, K015 (Revised 1947), Part 2: Ritual Action of the Ancestors
The Rite of Spring, K015 (Revised 1947), Part 2: Sacrificial Dance (The Chosen One)
The Rite of Spring, K015 (Revised 1947), Part 2: The Sacrifice. Introduction
Traumerei, Op. 15
Violin Concerto in E Minor, Op. 64: III. Allegretto non Troppo
Walton: Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto con malizia

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